A Reflection on Lourdes

The world premiere of my Ave Maria in Lourdes, France – the Grotto.

As a composer, I have learned that there are good days and bad days as it relates to “feeling the creative” and hearing the music. Indeed, most days I sit with pencil in hand and realize that today is not the day for that great piece of music to be created.

However, one regular day in October of 2011, the notes came flowing like water. Immediately, I had a text in mind- the melody was perfectly suited to Ave Maria. The piece literally wrote itself, and to quote myself from a previous post, I felt like I was connected to that larger musical (and apparently spiritual) conscience.

Then, as if it were scripted, I received an email a few days later from a now dear friend inviting me on the Malta pilgrimage to Lourdes, France to help with the music. Of course, the thematic connection was obvious, but I didn’t give it too much thought.

Months later, while rehearsing with the music director, Lia Carter, I mentioned that I had written an Ave Maria. We ran it quickly, and she was nice enough to want to include it in the program. Just before I left, she mentioned to me something along the lines of “by the way, did you know the title of the pilgrimage this year is ‘Ave Maria?’ ” My hair stands on end.

Just before we leave, the issue of where to place it within the various masses gets answered- at the Grotto, right where Bernadette had her visions.

Yikes! – the circumstances surrounding this composition just kept getting stranger and stranger – or as I came to realize, more and more special.

I arrive at Lourdes and quickly start participating with the music (The whole experience was really mind-blowing- I highly recommend a visit, no matter your faith or creed). This picture on the right is me cantoring at the Rosary Basilica – read into, or don’t, but all the “coincidences” seem to be directed by someone, or something – and this picture really sums up the idea. Is she saying “about time you got here?!”

A few days later, it was time for the mass at the grotto – where we would first play my Ave Maria. Its is a humble place, void of gilded decorations, just the rock cave. For me, I found it much nicer to do it here, then inside a huge church or basilica. I try to be a humble person, and this place just fit my persona.

I had to play it on a rickety old organ, but I must say – playing it THERE, was something special. Again – read into it or don’t, but it was a sunny day when we arrived at the grotto – but the clouds started to fill the sky – and the very moment (and I mean with my downbeat) we started, it began to lightly rain. The moment we finished, the rain stopped and the sun came back out. – Another moment.

When all is said and done, from a composer’s standpoint, it was the most unique premiere of a composition – made all the more memorable by all of the so called “circumstances.” Many people might write-off those weird moments as nothing special and just a coincidence – and it doesn’t bother me in the least. But, as a person of faith (well, someone who tries to be – I’m fail miserably most days) – it was mind-blowing – all the things that happened. I’ll never forget that day in the grotto.

Now, if you’ll excuse me, I am really back to reality – and have to go change a diaper.

3 Replies to “A Reflection on Lourdes”

  1. Mac, Grandma must have been so happy. She and Aunt Joan had a special feeling with Mary (maybe it was all those children) and she was so proud of you and your music. For all of this to come together as it did, she must have been the proudest grandmother in heaven! Congratulations.

  2. Would anyone dare call it a coincidence that the next performance of Cooney’s Ave Maria is on Mothers’ Day at Greenfield Hill Congregational Church? Or would it be as my friend Beth calls it, “sacred synchronicity.”

Leave a Reply

Your email address will not be published. Required fields are marked *